Before I start this review I want to get a few things straight...
1. I've never been a Deadpool fan.
2. I've never collected Deadpool comics or merch.
3. I've never read more than two Deadpool comics and
I don't intend to read any after watching the movie.
4. I'm no Deadpool expert.
Ok, now that I've come clean; we can begin our review. This movie was fantastic! The end. See ya'll next time. What? You want me to go in depth? Ok, this is my NON-Spoiler review of one of the funniest movies I've ever seen! First thing I'd like to say is that Ryan Reynolds was born to play this Deadpool. From the moment the movie starts till' the post credits scene (yes, there IS an after credits scene!) you can see how much Ryan loves this character. The script was perfect for this movie, the story is fun, action-packed and it has a lot of heart; a feat not easily accomplished in a movie such as this one and with a character as crazy as Deadpool is. Another great thing they took directly from the comics is the "breaking of the fourth wall", and just like in the comics; it was hilarious!
The cast in this movie was great as well. There's TJ Miller as a funny "sidekick" (who isn't really a sidekick), there's Colossus, there's Brianna Hildebrant as a cool mutant chick with a ridiculous name who's powers were very cool, there's Gina Carano playing a villain named Angel Dust (and a kickass villain at that!), there's Morena Baccarin as Deadpool's smoking hot love interest and the main villain Ajax is played by Ed Skrein; they all did a fantastic job! In all honesty, I haven't laughed this much watching a movie probably since Dumb and Dumber; and that's saying a lot! There's were great cameos, great lines in the movie referencing other properties in a super funny that didn't seem forced and there's also a love story at the core of all the craziness which makes you root for this insane merc with a mouth! If there's one thing you can take from me gushing over this movie is this, go see this movie, bring your girlfriend, your boyfriend, your brother(s), your friend(s) and prepare to laugh out loud. Trust me... it's a funny, funny movie!
Heeeey, everybody, happy 2016! I know it's a little late, but as most know SNOWMAGEDDON and school has taken a toll on my projects. But let's leave all the pish posh aside and get down to the nitty gritty: is the comic book industry stuck in the 90s again?
It seems like a continuous cycle now. Comics have always had it's highs and lows as an industry, and as the old saying goes, if you don't look back into the past, you're doomed to repeat it. And as far as I can tell, that's exactly what's happening.
"BUT Lance (people usually thinks my real name is actually Lance, so let's just go with it), but it's 2016! Comics are more progressive now than the lame 90s comics!" A fair point, but not all together accurate.
While people celebrate (and they should) characters like Ms Marvel, Captain Marvel, Miles Morales Spider-Man, etc, for their portrayal of minorities and strong female characters, but what about Milestone Media and Frank Miller's Martha Washington stories? And even though the "bad girl craze" of the 90s presented over sexualized female characters, in it;s own unique way, it started paving the way for more female oriented protagnists, despite the fact that yes, it was not exactly ideal at the time.
But in it's own way, the craze did evolve into concepts that were perhaps a bit ahead of it's time. Take Ultraverse's title Mantra, of a male warrior fighter that reincarnated in the body of a woman. I personally would love to somehow see that tackled in mainstream comics again. "But.,...LANCE...now established heroes are being switched into different gender and race roles I MYSELF can identify with! Not like in the silly 90s!" Except that as far back as the 70s there has been different versions of Thor, and least not forget the original What If..? issue that featured a Jane Foster as Thor. Thor has even been a frog, so, don't give up your hopes yet, furries!
The 90s was PLAGUED by different versions of characters and different costumes and characters being replaced. It's basically a trope and has been for years. And like we're seeing now, that both helped AND hurt the industry. Let's take a look.
Due to the huge success of the Batman movies, that helped spawn a handful of successful comic book movies, like the Teenage Mutant Ninja Turtles, and cult favorite The Crow, that helped lead to a huge boom in the comic books industry. Publisher smelling money like hammerhead sharks smelling blood in the water, got greedy and tried to milk the money out of buyers hands. Variant covers! MORE VARIANT COVERS! New issue number 1s! Reboot this character, reboot that character! Sound familiar?
As a result of publishers getting greedy, the bubble burst, and to this day the industry has been suffering. Much like mid to late 90s, everybody was upset. New fans had no idea what was going on, so they stopped buying, while older fans got alienated and they too stopped buying. That led to an interesting time in that era that also repeats itself and we're seeing more of that. Publishers, bleeding money now, and desperate to get a boost, turn to indie creators to give a shot in the arm in a particular series or two. And that itself brings it's own challenges.
A prime example of this was the Uncanny X-Men creative team that took over after Scott Lobdell and super star artist Joe Madureira left the book. The series was taken over by the creative team of Steven T. Seagle and Chris Bachalo, who at the time were mostly known for their work on DC Comics Vertigo line. Some indie creators fit in perfect with a mainstrea comic....and some simply can not gel in smoothly. Or are good, but not as great as they are with their original characters, especially if it's a creator not entirely keen on mainstream super hero stuff to begin with. And what follows is very awkward series. In the case of Uncanny X-Men it didn't take long for Marvel to turn to established veteran Alan Davis, who took over as writer and artist.
By then comics were losing money and coming under fire by extreme conservatives and the still looming presence of the comics code authority, though not as mighty as it was through the 60s ad 70s, but was still a force in the industry. Only now comics are being blasted by both extreme conservatives and extreme liberals as well.
Even the variant covers, which had taken a backseat for a few years after the 90s, have come back with a vengeance, like a bat out of hell! And even that has met controversy. Batgirl and Spider-Woman, anybody? Just look at Star Wars number 1 from Marvel. It was the first comic to reach the million orders mark since the 90s. How did it do it? On the strength of FIFTY variant covers.
"But...but...LANCE.....90s comics were SO pointlessly violent! Comics surely have evolved from that then! Especially violence against women! Women in refrigerators!!!!" All I have to say to that is Bitch Planet, Saga, and The Walking Dead. Not that any of those titles are bad, mind you, but it is inconsistent to claim hating violence in comics and violence towards a specific gender, and then make icons out of comics that do just that.
But, just as they survived in the 90s, I do believe they will survive now that the industry is in the same predicament, if not worse. Let me give a bit of context. Back in the 90s, a comic selling over 100,000 copies was deemed a failure and cancelled. Now a days, a 20,000 copy selling book might even land you in the top 50.
With all the backlash to reboots and re-imaginings, the industry can look back at the past and correct this now. Less is more. Create and nurture not just new characters, but new creators. ENOUGH OF ALL THE VARIANT COVERS (seriously. Stop. It.). Start listening more to fans again instead and hear what they want instead of just assuming what people that do not even like comics want. I'm not saying to not attract new readers by doing something different, different can be good, but use a HIGHER STANDARD for that. In the 90s NO ONE expected a Marvel or DC title to come out late, but as recently as Secret Wars, Marvel's' HUGE storyline.....the final issue came out late, even after some series already had starting being published and sold.
And just as some indie titles enjoyed success in the 90s because of the struggling big 2, now is the time for indie creators to step up and deliver as well, and this generation has a HUGE advantage indie creators did not have in the 90s: the internet.
You can self-publish and set-up your own online store. Not to mention reach readers that would have been virtually impossible to reach back then.
So yes, even though many things parallel the 90s and the 2010s. I do believe that the industry can change and survive, but it's not just up to the bog publishers, it's up to us as well, as creators and as fans. Thank you all for reading, hopefully I see you all next week if my finals exams permit it, take care and always remember, as cheesy as it is, you can be the change that you want. Peace and love and kitten whiskers.
jet boy spinoff, Babcock & nelson and Czesky!
Last year, Fite Klub Comics merged with Truthful Comics. This brought forth a number of new talents to the Truthful Family as well as some new titles. This includes a pair of new webcomics, Babcock, a spin-off of JET BOY, and NELSON & CZESKY , from creators Kara Nelson and Amanda Walczesky Danielson. Here's the lowdown...
STORY AND ART BY
BABCOCK is a five part webcomic series that acts as the backstory for Ms. Babcock, aka Agent Babcock of Section 17. We will meet a young Barbara Babcock, a juvenile delinquent in London, England and how a chance encounter puts her on Section 17's radar as she enters the top secret, HANGAR Program. A program which will eventually lead to her being a part of Operation: Faculty, where Section 17 agents disguise themselves as teachers in a school that acts as a breeding ground for the next generation of agents.
Babcock will make it's way to Truthfulcomics.com in July
NELSON & CZESKY
STORY BY KARA NELSON
ART BY ROC BOTTOM
NELSON & CZESKY answers the question, "What happens when heroes need heroes...or cheap therapy at the local bar?" Nelson and Czesky are the go-to girls for heroes in need. Even with extraordinary powers, these heroes have the same everyday problems we mortals face. And the only way to solve these problems, is to dump them in two the laps of Nelson and Czesky, and pray that their advice solves whatever issues they have!
Nelson and Czesky comes to Truthful Comics in August.
This is the Blog about all things Truthful Comics. Looking forward to reading your posts!